There isn't much left. These islands of the heart.
--K. Irby.
Where are you from? Originally?
Thought is timeless, doesn't belong anywhere. Where were you when you were thinking? Nowhere. Who were you? Nobody in particular. I'm thinking, in my own room, in a stove, cramped up. The universal condition of 'man'?
Reason, scientific procedures..a universal way of understanding reality, relegating all the other, time-worn ways to the false, to untruth. As if we could know by forgetting who we are. As if our minds were a vast and continuous continent and not a series of loosely connected islands. In the heartlands our souls are copied out in a huge ledger by a bureaucratic hand.
With scientific thought and inventions we live in one world and one world only. If something holds it holds everywhere. I stand on a column and survey it all with perfect objectivity, a view from nowhere. With a calm spirit I note down there: two dogs fighting over a bone.
Other factors are at work in modernity, pushing us to ever-greater abstraction and 'placelessness': religion, with its universal 'brotherhood' (neither Greek nor Jew) knows of no holy land. The spirit knows no such distinctions and the local gods are in disrepute.
The capitalist system is at heart a system that devours local attachments and bonds. Within the nexus of market exchange nothing of permanent value subsists and everything is interchangeable, a substitute for something else. 'Intrinsic worth' is an anathema. Capitalism is the exchange of represented (or abstract) values. And global capitalism just furthers that process of alienation.
The same city centre, the same airports and, ultimately, the same mental attitudes. Place, as the locus of a distinct history, the flourishing of unique individual perspectives and collective representations, is replaced, through mechanical repetition, by "space" and abstract flows, by the undoing of real communication in favour of the exchange of equivalents.
So, in thought and in practice, the rootless, the vagabond, is held in high-esteem. Which is not surprising. This is not about investing dignity in an abstract individual (with his universal rights) but in clearing the ground so that capital can flow.
If there are islands there are bridges. But in the land-locked homeland of our contemporary lives there is only a drab sameness. It is precisely under those circumstances that a false individuality is cultivated ("express yourself") and a false reverence for blood and soil propagated.
At another level this symptom is expressed in a different way: the withdrawal of the man and woman of culture into their own personal aesthetic experiences; high-minded, standing above the fray, immune to the petty temptations of a shallow culture that has nothing to offer but enticements, allurements and distractions. Culture as a form of therapy, a way of disengaging from the sordid world of politics. After all, only the individual counts, says the poet (oblivious of the fact that his own sensibility has been worked upon by the capitalistic spirit).
So, if the riff-raff are led into a self-absorbed world of spectacles and digital confusion they're not so different from the educated bourgeois, duped by their academic specialisms and cultivated sensibility of indifference. Both share in the inability to think beyond themselves. This shows up in the abuse of the language: 'the political' is now replaced, everywhere, by 'the politicized', the world can only be conceived of as 'worldliness'. One thinks of himself as rising above the world; the other sinks below it. But both are eminently products, not that they know it, of the hollowing out of the world.
This withdrawal from the world, the loss of a sense of place, the inability to utter the word 'we'..all this in the name of a private pleasure (whether it is a 'higher' pleasure or not is to miss the point). The disappearance of the public world is effected by the proliferation of images, idle chatter, trivialities and gossip. Common sense becomes as rare as the old medieval notion of the common good in a therapeutic culture.
With the loss of the world the space of appearances and interactions is replaced by the body and its desires (the new body politic) or by an identity politics, or the amplification of fear, personal grievances. Under such circumstances what scope is there for the development of obligations to other people and to, in fact, the continuity of the world so that future generations may participate in it?
And then there's the personal confession, the growth in widow(er)-memoirs where someone's intense suffering must be brought to light, form part of a "meditation". The loss of a brother, a mother,...it's either that or: the world is going to hell in a handcart so let's have fun, it's the only sane response after all.