Look away if it's not yours...don't worry, we can still be friends.
My family knows a museum is usually on my itinerary. Neither a wailing, squirming 9-month old Sophie in a baby carrier nor an adult abled-bodied doctor were obstacles. They dare not risk the evil dragon stares and accompanying destructive fire.
On this trip, without these encumbrances, naturally you would expect me to binge on museums. Curiously, that did not happen, although I did consider buying the Grutto Pass for only JPY 2200 which allowed free or discounted entrances to EIGHTY THREE museums in the Greater Tokyo area. Japanese love museums too! (...maybe a bit too much, though...)
However, on a rainy Tuesday afternoon, upon exiting the station near my apartment and finding myself facing the prospect of being partially drenched by the heavy rain (note to self: get one of those large transparent umbrellas that all Tokyo-ites use), I bought a ticket on a whim to the Edo Tokyo Museum located just outside the station. I planned to spend no more than 2 hours, expecting the rain to have subsided by that time. Fast forward 3.5 hours later, I was chased out when they closed the museum.
First, a lunch of Japanese curry chicken & gizzard at Mikasa just outside the museum to fuel up for the visit. It was more gizzard than chicken, though. Gizzards and I are fated to be together during this trip.... :(
The museum presents the history of Edo from its establishment as a major political, and later, commercial center, after Tokugawa Ieyasu triumphed at the Battle of Sekigahara (1600) to become the next shogun, and its evolution to Tokyo today. I spent way too much time in the Edo sections, and power-walked through the Tokyo sections. But then again, I have always found historical times much more fascinating than modern times.
Tokugawa Ieyasu, founder of the Tokugawa shogunate which ruled for 265 years up to the Meiji Restoration in 1868. During this period, Japan went through self-imposed isolation (sakoku 鎖国) which allowed many traditions and arts to develop without the previous Chinese and Korean influences, thus creating the unique Japanese culture we know today
One example is the kabuki. I can definitely sense traces of the Chinese opera in the gestures and flow of the dialogue (see my experience at the Kabuki-za below), but there is no doubt this stands on its own as a Japanese art
I was very curious about the story, and excited to see the title of this poster, "Summary of Sukeroku's story". It tells me that it is a revenge story, a special performance for Edo people, and has cool costumes and crisp sound of the actor's voice. And that's it >:( Talk about suspense. Japan needs to improve its signage for international visitors...
The coolest thing about the Edo sections are these diorama that have so much detail in them, from the expressions, to tools and clothes.
Nihonbashi bridge
Residential area of commoners, commonly found around Nihonbashi area
How cute is that?? Kawaii!!
Reconstruction of the ohiroma, matsu-no-roka and shiroshoin rooms at Edo Castle (part of today's Tokyo Imperial Palace). These were used for meetings with daimyo (warlords), generals, and to stage Noh theatre.
Merchants at the Nihonbashi area. Each merchant sat on a spot below a banner bearing their name and which hung from the ceiling. The merchants displayed samples of their products to customers over a raised tatami dais.
Mitsukoshi (predecessor of Mitsui Group, and now part of the Isetan Mitsukoshi group of companies) also set up shop here, pioneering "cash transactions" which brought great success. Prior to that, merchants would take orders from its customers (usually from high class families) before producing the goods and collecting payment. Mitsukoshi made the products first, and then sold them directly at his shop for cash.
Side view of the above. The details were just unbelievable...My iPhone camera cannot do it justice
That's where I would be hanging out during the Edo period: a bookshop :D
As I said, I spent too much time living in the distant past, and so there's only this picture of "recent" times. But it's the best! Game & Watch! The ORIGINAL Nintendo!!
My siblings will melt if they see this...those days when we my brother would cycle out to the neighbourhood video rental shop to rent one of these sets to play Bubble Bobble, Super Mario, etc, during our school holidays....awww...
For some odd reason, kabuki kept popping up on my radar these few days. I had planned to check it out, but it had dropped to the bottom of my to-do list since I arrived. Then it popped up in my textbook, then a friend suggested I go and watch it, then a whole stage materialized in front of me at the Edo Tokyo Museum. So, again, on a whim (that's real freedom that I'm really enjoying right now - thanks, YL!), I decided to pay a visit to Kabuki-za today.
It's the principal theatre for kabuki plays in Tokyo
Flashy architecture in the middle of drab homogeneous buildings of the business district of Ginza
Kabuki plays run for 4-5 hours (not a typo) over 3-4 acts. The matinee show starts at 11am and ends after 3pm, while the evening one starts at 4:30pm and ends after 8:30pm. There is a break for lunch or dinner, and some patrons purchase food to eat at their seats. It's also a classy affair for the locals as they come dressed in their kimonos with their hair done up and immaculate make up.
Because I'm not classy nor rich (the best seats costs JPY 20,000), and probably not very cultured as far as the Japanese goes, I went for a single act. Depending on the act, it costs between JPY 500 - JPY 2000 for an act that lasts between 15 minutes to 2 hours. Single act tickets can only be bought on the same day, and at the box office.
I arrived around 20 minutes before the box office opened for the 4:30pm act, and was 7th in line, next to these 2 Japanese senior folks, and a few foreign tourists.
The line quickly built up after that. But as with all things Japanese, there was a very organized and dignified manner in which the queue was managed. They brought out wooden benches covered with red felt each time the queue grew.
Everyone were given brochures and instructions on how and when to buy tickets, tips for souvenirs, gossip about the lead actor, ideal tea to drink during the break, etc. That's my guess because all they had in English was a sign with "Before 4:05pm" written on it, which they waved ever so gently at the group of foreigners.
They did have English summaries for the acts, though. But still no clue about that long animated 10-minute speech...
In any case, I paid JPY 500 for a 15-minute act titled "Goemon at the Temple Gate".
Summary provided by the theatre: Though short, this play is one of the most visually spectacular in kabuki. The famous villain Ishikawa Goemon is sitting on top of the large gate of Nanzenji temple enjoying the view of cherry blossoms in full bloom. His enjoyment of the scene is cut short, however, for the general Hisayoshi (the shogun Toyotomi Hideyoshi) who has killed both his adopted and biological fathers appears.
This is the act, as my finger helpfully points out.
I was in luck, as this month is the special performance with an all-star cast to mark the 130th year of the opening of the Kabukiza Theatre. Both the famous stars mentioned in the marketing blurb - Onoe Kikugoro and Nakamura Kichiemon - appeared in the act I watched, short as it was.
Inside the theatre hall. The single act ticket holders are confined to the last 2 rows at the back of the hall. There were a good mix of tourists and locals. The lady who sat next to me was a local who was very excited to be there. She chatted to me in Japanese - it happens to me a lot here - while I politely nodded with appreciative sounds like "hai, hai, soo, soo..."
The problem with me is that I speak enough basic rudimentary Japanese to seem like a local. I should just start speaking English every time. But it saddens me to see the disappointed surprise on their faces when they discover I'm not local. So let the masquerade continue...
Of course, there is no way I could understand kabuki; I suspect even the locals don't. So I paid JPY 500 for this translator, which is really yen well spent. It explains the lyrics, dialogue, and even the scene setup. Thanks to it, the 15 minutes' act really came alive for me. Highly recommended! (sorry, my grammar is beginning to sound Japanese)