Crunch Time

When I was in college (in the olden days), the dining halls had a bread table, and on the bread table sat a box of matzah -- presumably left over from Passover and set out until consumed. During my first year, I learned that there were people who actually liked matzah. This was a revelation, as I could not fathom how one could enjoy the taste of cardboard. It turns out that when one does not eat it for 8 days every spring, one can like it. I mean, it still boggles my mind, as I limit my matzah consumption to small amounts on Passover, but still, there's something in there for the psychologists to think about.

A friend recently enlisted my help in a gift project, and to help her, I realized I needed to figure out how to piece certain Hebrew letters, notably the tzadik (above). Rather than make a lonely letter, I decided to make a word -- matzah -- and then make it into a matzah cover. This was timely, since Passover starts tomorrow night. I kept things simple and made white letters and used a blue/green ombre fabric (Marimekko scraps). I wanted the quilting to evoke matzah (which is sort of grid-like in appearance) without sewing over the letters. I tried out some straight-edge free-motion quilting which, I learned, is harder than curvy free-motion work. Or maybe I just need more practice. I like the effect, imperfectly sharp lines and all.

I dug into my scrap bin for the back and played around with some improv curves. I think I might make a bigger quilt with curvy columns. Usually I choose my binding to make a quilt pop, but this time I decided to emphasize the ombre fabric and use it to bind the quilt. It blends along some edges and pops along others. I like it.

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Sebastian, Literally

Barring some radical shifts in the US population's naming preferences, my name is never going to crack the top 1000 baby names, as measured by the Social Security Name Database (a fascinating dataset, for those statistically inclined or trend curious). Which I rather like. At least now -- there was the crushing childhood realization that I would never find my name plastered on magnets or keychains or the like (which my siblings could, in fact, purchase). But I've recovered from that discovery and rather enjoy possessing an unusual (in the US) name, even if it sometimes causes pronunciation consternation (in others; I know how to say my name, though some native Hebrew speakers might dispute my Americanized version) and gender confusion (theoretically this could be explained by the fact that my name in Hindi denotes a male, but somehow I don't think that's why I get emails sent to Mr...).

Sebastian, in contrast, has enjoyed a popularity curve worthy of a roller coast ride. One hundred years ago, it rested at 567, but by 1950, it fell out of the top 1000 names. A decade later, it poked its way back in, and then, for about a quarter century, toggled between the mid-700s and the mid-500s. By 1986, it started its upward climb and, at the turn of the 21st century, it jumped into the top 100. For the past 2 years, Sebastian has rested comfortably as the 68th most popular boy's name in the US. But when asked to make a quilt for a baby named Sebastian, I knew nothing of this history.

I simply knew that the baby was named for a family friend's deceased father and they wanted a quilt that reflected this meaningful name choice. I chose to be literal, and I made the name the visual centerpiece of the quilt. I paper-pieced the letters (3"x4") from templates I made (inspired by these). The "a" turned out to be my favorite, though whether that's because of the shape or the fabrics used, I'm not sure. I used blues and greens from my scrap bin and stash, and arrayed the letters on a dark-light-dark spectrum, all set against Kona Mustard.

To add some visual interest, I pieced some squares and rectangles together, and added them above Sebastian. As is my habit, I improvised as I pieced -- adding, trimming, debating, selecting, rejecting (aka seam-ripping), and adding some more. The crinkling derives from unevenly spaced straight-line quilting. The back of the quilt is Michael Miller flannel (Zoology in Sea), which is delightfully soft. Whether or not Sebastian has made its way on to magnets and keychains, but this Sebastian has at least one thing with his name labeled with his name.

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Chevron and Out

I realized it's been 10 days since I last posted. Ten busy days, but ten days in which images sat on my camera because sometimes getting images from the camera to the computer feels like way more work than it actually is. Hooking up cords and pressing buttons is not actually hard and yet sometimes it's an obstacle. But I'm back in the archives this week which means I needed my camera for images of documents and all my sewing pictures had to vacate the premises, err memory card. I finished up my mini-quilt for the For the Love of Solids Quilts. I vacillate on which side is "up" and which side is "down." For now, I picked the image I liked the best, which had a lot more to do with low light on a gray day than anything else. I'm quite pleased with how it came together as well as the random, angular line quilting, which came to me in a burst of inspiration also known as "Must get this done. Make a decision."

The back used remnants from the front. As usual, I changed my mind 3/4 of the way through and decided that the light gray line (Kona Ash, for those keeping track) should not go all the way across. This entailed some pretty precise sewing to get everything lined back up. And by precise sewing, I mean 4 seam-rippings and 5 tries later, it all worked out. Note: seams pressed open are your friends when precision on the millimeter level is necessary.

For the small gift (this swap requires a big item and a small one), I made a zip pouch. I based it on the size of the zip-lock I use to carry various chargers with me when I travel. I think its dimensions are great for chargers though I might switch the zipper to the long side on future iterations, even though I think it might work less well for bulky chargers. The pouch is stuffed with a rainbow of solid scraps that I hope my partner will enjoy using. Now I just need to find the closest post office to me in Cincinnati, ideally one open past 5 pm.

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Heart to Heart

I think I completed my last sewing for 2011 this morning. Although a few hours remain in the year, I've only got about 3 hours until friends come over for a New Years gathering, and somehow I don't think they'll be pleased if the entertainment is watch me sew. Call me crazy, but I put away the machine, cleaned up my sewing messes, and made a pinata. And baked and prepped some food.

But back to the pictures....for our December do Good Stitches quilt, Kelli asked us to make heart blocks. She gave us ample freedom, simply requesting heart-focused blocks made from reds, pinks, and whites and one more color. Technically she said use our favorite color, but I chose colors that I thought worked best with the fabrics and blocks.

Inspired by Sandi's list of paper-pieced hearts, I made the block on the right first. Hers were 6-inch templates, while I wanted a slightly larger heart, so I drafted my own based on her diagrams. I cut a standard piece of printer paper into an 8.5" square and then folded it every which way to have lots of angles to work with. Then I drew in the lines, stared at the template for a while, and finally labeled the piecing order. It's the first time I moved beyond a ready-made template for paper-piecing, and it provided some good mental exercise. The bias edges on some of the corners make it lay a little less flat than I would like, but I think it will be fine.

After paper-piecing, I wanted something simple. And I haven't made a square-in-square block in ages, so square-in-square it was. I transferred my elementary-school construction paper heart-cutting experiences to fabric, and made myself a swirly purple heart which I appliqued onto my pretty block. I'm slowly starting to see the fun in applique.

So there you have it, the last blocks of 2011. Except that I actually have three quilts to show you: two are making their way to their new owners and one needs to get photographed well. Obviously I can't do any sort of "year in quilts summary" without these ones included. Or maybe I can. To be determined. In 2012.

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