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Dark, Compelling A Monster Calls A Ness-Ish Original
One of the greatest bookish discoveries I've made this year is English author Patrick Ness. You might recall me gushing about his YA dystopian books, The Knife of Never Letting Go, The Ask and The Answer and Monsters of Men (all of which make up the Chaos Walking Trilogy). Considering my adoration for the man, you won't be surprised to discover that I actually squealed out loud when I learned Ness had a new book coming out. Then I read a little about A Monster Calls. It sounded ... odd. Creepy, but not dystopian. Still, if Ness wrote it, I knew I wanted to read it. So, I did. And, while it didn't rock my world like his other books, A Monster Calls still exudes enough Ness-ish originality to make it both compelling and memorable.
Since the book is so hard to describe and I can't discuss it in detail without being spoilerish, I'll give you the summary from the back of my ARC:
The monster showed up after midnight. As they do.
But it isn't the monster Conor's been expecting. He's been expecting the one from his nightmare, the nightmare he's had nearly every night since his mother started her treatments, the one with the darkness and the wind and the screaming ...
This monster, though, is something different. Something ancient, something wild. And it wants the most dangerous thing of all from Conor.
It wants the truth.
I know - it doesn't give you much to go on, does it? Suffice it to say, A Monster Calls is a book about a 13-year-old boy dealing with the shock and grief of watching his mother wittle away from cancer. It's about anger and guilt and sadness and coming to terms with the cruel blows life deals to all of us, even the very young. Conor's a sympathetic character, one whose feelings are so familiar they'll strike a chord with anyone who's ever experienced a loss, be it large or small. The story itself is told in a dark, compelling way that keeps readers guessing, even as it barrels toward a not unexpected ending.
As I mentioned, I didn't love the book like I wanted to. I liked it, though, and found it to be quite profound in its simplicity. Perhaps even more so because the idea for the short novel (novella?) actually came from British writer Siobhan Dowd, who died of breast cancer in 2007 at the age of 47. After Dowd passed away, Ness was asked to develop Dowd's story idea into an actual story. Since trying to imitate her voice would have been a "disservice to her, to the reader, and most importantly to the story" (from Author's Note), he told it his own way. Enhanced with illustrations by Jim Kay, A Monster Calls becomes a familiar tale told in a new and different way. With its distinctive Ness polish, it's a book to be proud of, one that pays homage to a beloved writer whose life ended much, much too soon.
(Readalikes: Theme-wise, it reminds me of Season of Secrets by Sally Nicholls; style-wise, of some of Neil Gaiman's stories)
Grade: B
If this were a movie, it would be rated: PG for mild language
To the FTC, with love: I received an ARC of A Monster Calls from the generous folks from Candlewick Press.
Upbeat Disease Novel Affecting Without Being "Issue-y"
Thanks to the mighty gods of alphabetical order, 15-year-old Payton Gritas has spent a lot of time staring at the back of Sean Griswold's head. She's sat in the desk behind his every year since third grade. So, when the school counselor suggests Payton try an unorthodox exercise involving a focus object, Payton chooses something with which she's very familiar - Sean's extra-large noggin. It's a strange assignment, for sure, but it seems to be working. As long as Payton's zeroing in on Sean, she can forget about the thing that's really bugging her: her dad's multiple sclerosis (MS).
The more time Payton spends observing Sean, the more she realizes that, for all the time they've spent sitting near each other, she doesn't really know him. When she decides to broaden her research to include more than just Sean's head, Payton discovers the boy's totally stalk-worthy. Not only is he nice, but he's cute, interesting and even a little mysterious. As Payton gets to know him better, Sean becomes less of a science experiment and more of a friend, a friend with a whole lot of potential to be more.
While focusing on Sean distracts Payton from her problems at home, it doesn't erase what's happening to her dad. She still can't deal with that. It's only when things really start to fall apart that she's forced to face everything she's been avoiding. Now she'll have to focus on the one thing she's been trying to avoid all along: the truth.
Sean Griswold's Head by Lindsey Leavitt is one of those issue novels that doesn't necessarily feel like an issue novel. It's about an issue, yes, and a serious one, but it manages to stay upbeat and funny while still addressing a teen's very real feelings about her dad's illness. It avoids cheesy melodrama, dealing with Payton's emotions in a way that remains authentic and true. Since I can't say it any better than this, I'm going to sum it all up with a line I stole from Melissa's excellent review over at Book Nut: "[Sean Griswold's Head is] sweet without being cloying, a disease book without being issue-y. Gotta love that." See what I mean? And, for the record, I completely agree.
(Readalikes: Sort of reminded me of After Ever After by Jordan Sonnenblick)
Grade: B
If this were a movie, it would be rated: PG for mild sexual innuendo
To the FTC, with love: Another library fine find
I'm Not Hopping, But I Am Following
I haven't participated in Follow Friday for awhile, so I think I'll play along this week. If you're not familiar with FF, it's a fun book party hosted by Parajunkee's View. Click over to her blog for all the info.
This week's question, asked by Nicki J. Markus, is: The magic book fairy pops out of your cereal box and says, "You and your favorite character (from a book, of course) can switch places. Who are you going to switch with?"
My answer: I'm going to assume this means switching for a day, not forever. In that case, I'm going to be really generic and say Hermoine Granger. I mean, who wouldn't want to spend all day practicing magic and hanging out with people like Harry, Ron and Hagrid?
How about you? Who would you switch with?
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Have a great weekend, everybody!
Why, Yes, I Do Love Divergent! Thanks For Asking.
So, I've been wanting to read Divergent by Veronica Roth ever since I first heard about it. I mean, it's dystopian, it's YA, it's being compared to The Hunger Games. Totally up my alley, right? One of my Canadian readers even sent me a special e-mail suggesting I read it ASAP. So anxious was I to read the book that I didn't even wait for a review copy to come in the mail, I just headed down to my good, ole, neighborhood Borders store (thankfully, it survived the bankruptcy closings) and bought me a copy. And you know what? I shouldn't have waited as long as I did. I should have snapped one up the day it came out. That's how much I enjoyed the read. Don't get me wrong now - there's only one Hunger Games - but Divergent gives a similar story its own, unique twist. And it works, my friends, oh how it works!
In a battered city once known as Chicago, residents have divided themselves into factions, all of which work together to maintain an uneasy sort of peace. Each group embraces a certain value almost to the exclusion of all others: Abnegation preaches selflessness, Candor honors truth, Amity lives for peace, Erudite seeks knowledge, and Dauntless champions courage. Members of the different sects don't mix, really, but they cooperate enough to keep civil war at bay. It's not a perfect world, but it works. Most of the time.
For 16 years, Beatrice Prior has lived with her parents and brother in the Abnegation's section of the city. She's been taught to put others before herself. Always. Pursuits that don't serve her fellow man are discouraged - even looking in a mirror or wearing bright clothing or asking too many questions is forbidden. Beatrice is used to this simple life, but she's always felt different from her family and peers. She struggles every day to exhibit the same magnanimity that comes so easily to every other person in the faction. As her Choosing Day approaches, Beatrice debates the decision she has to make - does she please her parents by sticking with Abnegation or shed their expectations and join the faction she really admires? It's her choice, but it's the most important one she'll ever make.
When Beatrice's pre-Choosing Day testing produces abnormal results, she's even more confused. If she's not wholly Abnegation, what is she? Who is she? She becomes a girl with a secret - a secret so dangerous she's been warned never, ever to reveal it. As Beatrice (now "Tris") goes through the brutal initiation in her new faction, she tries to forget the compassion she's been taught, she tries to forget that she's not what she seems, she focuses only on survival. But when things in her city go awry, it's Tris who'll have to step up, acknowledge her unusual strengths and use them to save the people - and the place - she loves.
Although it's definitely got a Hunger Games feel to it, Divergent does its own thing. Tris is no Katniss Everdeen - she's tougher from the get-go, a fact that makes her less sympathetic, but still compelling. Her world's not quite as bleak as Katniss', but it's rough enough to give Tris' story the same kind of white-knuckle tension that makes HG so fun to read. The subplots woven through the book add both depth and conflict, rounding out the novel, and giving Tris a much-needed vulnerable side. Better character development would have made the rest of the cast more memorable in the same way that a little more originality in plot would have really set Divergent apart. Those are minor complaints, though, since neither kept me from totally eating this one up. Even though it didn't entrance me quite as much as Hunger Games, I still gunned through Divergent, whipping through the pages so fast it's amazing my fingertips remain intact. It's that good. Maybe not Hunger Games-good, but still pretty darn good. Oh, and in case you couldn't tell from all the gushing, I loved it.
(Readalikes: The Hunger Games Trilogy by Suzanne Collins [The Hunger Games, Catching Fire, Mockingjay]; Enclave by Ana Aguirre; and Delirium by Lauren Oliver)
Grade: B
If this were a movie, it would be rated: PG-13 for mild language (no F-bombs), violence and brief references to sex
To the FTC, with love: I bought Divergent from Borders with a portion of the millions I make from my lucrative career as a book blogger. Ha ha.
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