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THREE:
THREE:In his very first essay, Plotinus had hinted at a principle higher and more primordial than the absolute Nous, something with which the soul is connected by the mediation of Nous, just as she herself mediates between Nous and the material world. The notion of such a supreme principle was derived from Plato. In the sixth and seventh books of the Republic, we are told that at the summit of the dialectic series stands an idea to grasp which is the ultimate object of308 all reasoning. Plato calls this the Idea of Good, and describes it as holding a place in the intellectual world analogous to that held by the sun in the physical world. For, just as the sun brings all visible things into being, and also gives the light by which they are seen, so also the Good is not only that by which the objects of knowledge are known, but also that whence their existence is derived, while at the same time itself transcending existence in dignity and power.454
THREE:Sandy, watching their confidant stroll toward the closed mansion, turned a cold face to Dick."I am very much afraid I shan't be able, but come along, and we'll try together."
THREE:We have seen how, in accordance with this view, each principle is perfected by looking back on its source.491 Thus330 the activity of the world-soul, so far as it is exercised for the benefit of what comes after and falls beneath her, is an anomaly only to be accounted for by her inferior place in the system of graduated descent; or else by the utter impotence of Matter, which is incapable of raising itself into Form by a spontaneous act of reflection, and can only passively receive the images transmitted to it from above, without being able to retain even these for any time. Nay, here also, what looks like creative energy admits of being assimilated more or less closely to an exercise of idealising thought. It is really for her own sake that the Soul fills what lies beyond her with life and light, not, like Plato��s Soul, from pure disinterested joy in the communication and diffusion of good. It is because she recoils with horror from darkness and nonentity that she shapes the formless substance into a residence for herself, on the model of the imperial palace whence she came. Thus the functions of sensation, nutrition, and reproduction are to be regarded as so many modes of contemplation. In the first, the Soul dwells on the material images which already exist; in the second and third, she strives to perpetuate and multiply them still further. And the danger is that she may become so enthralled by her own creation as to forget the divine original after which it is formed.492 Should she yield to the snare, successive transmigrations will sink her lower and lower into the depths of animalism and material darkness. To avoid this degradation, to energise with the better part of our nature, is to be good. And with the distinction between good and evil, we pass from the metaphysical to the ethical portion of the system.
THREE:The prevailing custom of casting machine frames in one piece, or in as few pieces as possible, leads to a great deal of bar-boring, most of which can be performed accurately enough by boring bars supported in and fed through bearings. By setting up temporary bearings to support boring-bars, and improvising means of driving and feeding, most of the boring on machine frames can be performed on floors or sole plates and independent of boring machines and lathes. There are but few cases in which the importance of studying the principles of tool action is more clearly demonstrated than in this matter of boring; even long practical experience seldom leads to a thorough understanding of the [139] various problems which it involves.
THREE:Second.��The manner of moulding and its expense, so far as determined by the patterns, which may be parted so as to be 'rammed up' on fallow boards or a level floor, or the patterns may be solid, and have to be bedded, as it is termed; pieces on the top may be made loose, or fastened on so as to 'cope off;' patterns may be well finished so as to draw clean, or rough so that a mould may require a great deal of time to dress up after a pattern is removed.
THREE:"Come along then," she said gaily. "I know I am a bad mother."6. The loss of power in a steam-engine arises from the heat carried off in the exhaust steam, loss by radiation, and the friction of the moving parts.
THREE:These, then, were the principal elements of the philosophical Renaissance. First, there was a certain survival of Aristotelianism as a method of comprehensive and logical arrangement. Then there was the new Platonism, bringing along with it a revival of either Alexandrian or mediaeval pantheism, and closely associated with geometrical studies. Thirdly, there was the old Greek Atomism, as originally set forth by Democritus or as re-edited by Epicurus, traditionally unfavourable to theology, potent alike for decomposition and reconstruction, confirmed by the new astronomy, and lending its method to the reformation of mathematics; next the later Greek ethical systems; and finally the formless idea of infinite power which all Greek systems had, as such,401 conspired to suppress, but which, nevertheless, had played a great part in the earlier stages of Greek speculation both physical and moral.Materials consumed in an engineering establishment consist mainly of iron, fuel, sand, and lumber. These articles, or their products, during the processes of manipulation, are continually approaching the erecting shop, from which finished machinery [72] is sent out after its completion. This constitutes the erecting shop, as a kind of focal centre of a works, which should be the base of a general plan of arrangement. This established, and the foundry, smithy, finishing, and pattern shops regarded as feeding departments to the erecting shop, it follows that the connections between the erecting shop and other departments should be as short as possible, and such as to allow free passage for material and ready communication between managers and workmen in the different rooms. These conditions would suggest a central room for erecting, with the various departments for casting, forging, and finishing, radiating from the erecting shop like the spokes of a wheel, or, what is nearly the same, branching off at right angles on either side and at one end of a hollow square, leaving the fourth side of the erecting room to front on a street or road, permitting free exit for machinery when completed.