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The typesetting macros

Introduction

Mom’s typesetting macros provide access to groff’s typesetting capabilities. Aside from controlling basic type parameters (family, font, line length, point size, leading), mom’s macros fine-tune wordspacing, letterspacing, kerning, hyphenation, and so on. In addition, mom has true typesetting tabs, string tabs, multiple indent styles, line padding, and a batch of other goodies.

In some cases, mom’s typesetting macros merely imitate groff primitives. In others, they approach typesetting concerns in conceptually new ways (for groff, at least). This should present no problem for newcomers to groff who are learning mom. Old groff hands should be careful. Just because it looks like a duck and walks like a duck does not, in this instance, mean that it is a duck. When using mom, stay away from groff primitives if mom provides a macro that accomplishes the same thing.

Mom’s typesetting macros can be used as a standalone package, independent of the document processing macros. With them, you can typeset on-the-fly. Book covers, your best friend’s résumé, a poster for a lost dog—none of these requires structured document processing (page headers, paragraphs, headings, footnotes, etc). What they do demand is precise control over every element on the page. The typesetting macros give you that control.

Paper and page setup: paper size & page margins

The page setup macros establish the physical dimensions of your page and the margins you want it to have. The PAPER macro provides a shortcut for setting the page to the correct dimensions for a number of common paper sizes. The PAGE macro provides a convenient way of setting the page dimensions and some or all of the page margins with a single macro.

• Requires a unit of measure

The argument to PAGEWIDTH is the width of your printer sheet. PAGEWIDTH requires a unit of measure. Decimal fractions are allowed. Hence, to tell mom that the width of your printer sheet is 8-1/2 inches, you enter
.PAGEWIDTH 8.5i Please read the Important note on page dimensions and papersize for information on ensuring groff respects your PAGEWIDTH.

• Requires a unit of measure

PAGELENGTH tells mom how long your printer sheet is. It works just like PAGEWIDTH. Therefore, to tell mom your printer sheet is 11 inches long, you enter
.PAGELENGTH 11i Please read the Important note on page dimensions and papersize for information on ensuring groff respects your PAGELENGTH.

PAPER provides a convenient way to set the dimensions for some common printer sheet sizes. <paper type> can be one of:
LETTER EXECUTIVE LEGAL 10x14 STATEMENT A3 TABLOID A4 LEDGER A5 FOLIO B4 QUARTO B5 Say, for example, you have A4-sized sheets in your printer. It’s shorter (and easier) to enter
.PAPER A4 than to remember the correct dimensions and enter
.PAGEWIDTH 595p .PAGELENGTH 842p If you’d like landscape orientation for your paper type, pass PAPER the LANDSCAPE argument.

Please read the Important note on page dimensions and papersize for information on ensuring groff respects your PAPER size.

• Requires a unit of measure

L_MARGIN establishes the distance from the left edge of the printer sheet at which you want your type to start. Left indents and tabs are calculated from the value you pass to L_MARGIN. If you use the macros PAGEWIDTH or PAPER without setting L_MARGIN, mom automatically sets the left margin to 1 inch.

A unit of measure is required and decimal fractions are allowed. Therefore, to set the left margin at 3 picas (1/2 inch), you’d enter either
.L_MARGIN 3P or .L_MARGIN .5i

• Requires a unit of measure

R_MARGIN establishes the amount of space you want between the end of typeset lines and the right hand edge of the printer sheet. In other words, it sets the line length. R_MARGIN requires a unit of measure. Decimal fractions are allowed.

The line length macro (LL) can be used in place of R_MARGIN. In either case, the last one invoked sets the line length. The choice of which to use is up to you. In some instances, you may find it easier to think of a section of type as having a right margin. In others, giving a line length may make more sense.

For example, if you’re setting a page of type you know should have 6-pica margins left and right, it makes sense to enter a left and right margin, like this:
.L_MARGIN 6P .R_MARGIN 6P That way, you don’t have to worry about calculating the line length. On the other hand, if you know the line length for a patch of type should be 17 picas and 3 points, entering the line length with LL is much easier than calculating the right margin, e.g.
.LL 17P+3p If you use the macros PAGE, PAGEWIDTH or PAPER without invoking .R_MARGIN afterwards, mom automatically sets R_MARGIN to 1 inch. If you set a line length after these macros (with LL), the line length calculated by R_MARGIN is, of course, overridden.

• Requires a unit of measure

T_MARGIN establishes the distance from the top of the printer sheet at which you want your type to start. It requires a unit of measure, and decimal fractions are allowed. To set a top margin of 2-1/2 centimetres, you’d enter
.T_MARGIN 2.5c T_MARGIN calculates the vertical position of the first line of type on a page by treating the top edge of the printer sheet as a baseline. Therefore,
.T_MARGIN 1.5i puts the baseline of the first line of type 1-1/2 inches beneath the top of the page.

• Requires a unit of measure

B_MARGIN sets a nominal position at the bottom of the page beyond which you don’t want your type to go. When the bottom margin is reached, mom starts a new page. B_MARGIN requires a unit of measure. Decimal fractions are allowed. To set a nominal bottom margin of 3/4 inch, enter
.B_MARGIN .75i Obviously, if you haven’t spaced the type on your pages so that the last lines fall perfectly at the bottom margin, the margin will vary from page to page. Usually, but not always, the last line of type that fits on a page before the bottom margin causes mom to start a new page.

Occasionally, owing to a peculiarity in groff, an extra line will fall below the nominal bottom margin. If you’re using the document processing macros, this is unlikely to happen; the document processing macros are very hard-nosed about aligning bottom margins.

• All arguments require a unit of measure

PAGE lets you establish paper dimensions and page margins with a single macro. The only required argument is page width. The rest are optional, but they must appear in order and you can’t skip over any. <lm>, <rm>, <tm>, and <bm> refer to the left, right, top and bottom margins respectively.

Assuming your page dimensions are 11 inches by 17 inches, and that’s all you want to set, enter
.PAGE 11i 17i If you want to set the left margin as well, say, at 1 inch, PAGE would look like this:
.PAGE 11i 17i 1i Now suppose you also want to set the top margin, say, at 1-1/2 inches. <tm> comes after <rm> in the optional arguments, but you can’t skip over any arguments, therefore to set the top margin, you must also give a right margin. The PAGE macro would look like this:
.PAGE 11i 17i 1i 1i 1.5i | | required right---+ +---top margin margin Clearly, PAGE is best used when you want a convenient way to tell mom just the dimensions of your printer sheet (width and length), or when you want to tell her everything about the page (dimensions and all the margins), for example
.PAGE 8.5i 11i 45p 45p 45p 45p This sets up an 8-1/2 by 11 inch page with margins of 45 points (5/8-inch) all around.

Additionally, if you are not using the document processing macros and invoke PAGE with a top margin argument, any macro you invoke after PAGE will likely move the baseline of the first line of text down by one linespace. To compensate, do
.RLD 1v immediately before entering any text.

Please read the Important note on page dimensions and papersize for information on ensuring groff respects your PAGE dimensions and margins.

Whenever you want to start a new page, use NEWPAGE, by itself with no argument. Mom will finish up processing the current page and move you to the top of a new one (subject to the top margin set with T_MARGIN).

Basic typesetting parameters

The basic typesetting parameter macros deal with fundamental requirements for setting type: family, font, point size, leading, and line length.

If you’re using the typesetting macros only, the arguments passed to the basic parameter macros remain in effect until you change them. The document processing macros handle things differently. See Typesetting macros during document processing for an explanation.

Alias: FAM

FAMILY takes one argument: the name of the family you want. Groff comes with a small set of basic families, each identified by a 1-, 2-or 3-letter mnemonic. The standard families are:
A = Avant Garde BM = Bookman H = Helvetica HN = Helvetica Narrow N = New Century Schoolbook P = Palatino T = Times Roman ZCM = Zapf Chancery The argument you pass to FAMILY is the identifier at left, above. For example, if you want Helvetica, enter
.FAMILY H

If you are running a version of groff greater than or equal to 1.19.2, when you invoke the FAMILY macro, mom “remembers” the font style (Roman, Italic, etc) currently in use (if the font style exists in the new family) and will continue to use the same font style in the new family. For example:
.FAMILY BM \" Bookman family .FT I \" Medium Italic <some text> \" Bookman Medium Italic .FAMILY H \" Helvetica family <more text> \" Helvetica Medium Italic However, if the font style does not exist in the new family, mom will set all subsequent type in the fallback font (by default, Courier Medium Roman) until she encounters a FT request that’s valid for the family. For example, assuming you don’t have the font “Medium Condensed Roman” (mom extension “CD”) in the Helvetica family:
.FAMILY UN \" Univers family .FT CD \" Medium Condensed <some text> \" Univers Medium Condensed .FAMILY H \" Helvetica family <more text> \" Courier Medium Roman! In the above example, you must follow .FAMILY H with a FT request that’s valid for Helvetica.

Please see the Appendices, Adding fonts to groff, for information on adding fonts and families to groff, as well as to see a list of the extensions mom provides to groff’s basic R, I, B, BI styles.

Alias: FONT

By default, groff permits FT to take one of four possible arguments specifying the desired font:
R = (Medium) Roman I = (Medium) Italic B = Bold (Roman) BI = Bold Italic For example, if your family is Helvetica, entering
.FT B will give you the Helvetica bold font. If your family were Palatino, you’d get the Palatino bold font.

Mom considerably extends the range of arguments you can pass to FT, making it more convenient to add and access fonts of differing weights and shapes within the same family. Have a look here for a list of the weight/style arguments mom allows. Be aware, though, that you must have the fonts, correctly installed and named, in order to use the arguments. (See Adding fonts to groff for instructions and information.) Please also read the Additional note found in the description of the FAMILY macro.

How mom reacts to an invalid argument to FT depends on which version of groff you’re using. If your groff version is greater than or equal to 1.19.2, mom will issue a warning and, depending on how you’ve set up the fallback font, either continue processing using the fallback font, or abort (allowing you to correct the problem). If your groff version is less than 1.19.2, mom will silently continue processing, using either the fallback font or the font that was in effect prior to the invalid FT call.

FT will also accept, as an argument, a full family+font name. For example,
.FT HB will set subsequent type in Helvetica Bold. However, I strongly recommend keeping family and font separate except where doing so is genuinely inconvenient.

For inline control of fonts, see Inline Escapes, font control.

In the event that you pass an invalid argument to .FAMILY (i.e. a non-existent family), mom, by default, uses the fallback font, Courier Medium Roman (CR), in order to continue processing your file.

If you’d prefer another fallback font, pass FALLBACK_FONT the full family+font name of the font you’d like. For example, if you’d rather the fallback font were Times Roman Medium Roman,
.FALLBACK_FONT TR would do the trick.

Mom issues a warning whenever a font style set with FT does not exist, either because you haven’t registered the style (see here for instructions on registering styles), or because the font style does not exist in the current family set with FAMILY. By default, mom then aborts, which allows you to correct the problem.

If you’d prefer that mom not abort on non-existent fonts, but rather continue processing using a fallback font, you can pass FALLBACK_FONT the argument WARN, either by itself, or in conjunction with your chosen fallback font.

Some examples of invoking FALLBACK_FONT:

• .FALLBACK_FONT WARN
  mom will issue a warning whenever you try to access a non-existent font but will continue processing your file with the default fallback font, Courier Medium Roman.
  
• .FALLBACK_FONT TR WARN
  mom will issue a warning whenever you try to access a non-existent font but will continue processing your file with a fallback font of Times Roman Medium Roman; additionally, “TR” will be the fallback font whenever you try to access a family that does not exist.
• .FALLBACK_FONT TR ABORT
  mom will abort whenever you try to access a non-existent font, and will use the fallback font “TR” whenever you try to access a family that does not exist.

If, for some reason, you want to revert to ABORT, just enter .FALLBACK_FONT ABORT and mom will once again abort on font errors.

• Does not require a unit of measure

PT_SIZE (Point Size) takes one argument: the size of type in points. Unlike most other macros that establish the size or measure of something, PT_SIZE does not require that you supply a unit of measure since it’s a near universal convention that type size is measured in points. Therefore, to change the type size to, say, 11 points, enter
.PT_SIZE 11 Point sizes may be fractional (e.g. 10.25 or 12.5).

If you invoke PT_SIZE without an argument, it reverts to its former value. For example, if your point size is 10 and you change it to 12 with .PT_SIZE 12, entering .PT_SIZE (i.e. without an argument) resets the point size to 10.

You can prepend a plus or a minus sign to the argument to PT_SIZE, in which case the point size will be changed by + or - the original value. For example, if the point size is 12, and you want 14, you can do
.PT_SIZE +2 then later reset it to 12 with .PT_SIZE -2 or, more simply, just .PT_SIZE The size of type can also be changed inline. See Inline Escapes, changing point size.

• Does not require a unit of measure

LS (Line Space) takes one argument: the distance you want, typically in points, from baseline to baseline of type. The argument may be fractional (e.g. 12.25 or 14.5). Like PT_SIZE, LS does not require a unit of measure, since leading is most often given in points. Therefore, to set the linespace to 14 points, you would enter
.LS 14 However, if you wish, you may specify a unit of measure by appending it directly to the argument passed to LS. For example, if you want a linespace of 1/4 of an inch, enter
.LS .25i You can prepend a plus or a minus sign to the argument to LS, in which case the line spacing will be changed by + or - the original value. For example, if the line spacing is 14 points, and you want 17 points, you can do
.LS +3 then later reset it to 14 points with
.LS -3

• Does not require a unit of measure
(Please see here for information on using AUTOLEAD during document processing.)

Without the FACTOR argument, AUTOLEAD calculates the linespace for you by adding its argument to the current point size of type. All subsequent PT_SIZE requests automatically update the linespacing by the autolead amount.

Used in this way, AUTOLEAD does not require a unit of measure; points is assumed. However, you may use an alternate unit of measure by appending it to the argument. The argument may be a decimal fraction (e.g. .5 or 2.75).

As an example, if your current point size of type is 12, entering
.AUTOLEAD 2 changes the linespace to 14 points, regardless any linespacing already in effect. From here on, every change to the size of type (with PT_SIZE, not inline) changes the linespace as well. If you decrease the type size to 9 points, the leading decreases to 11 points. If you increase the type size to 16 points, the leading increases to 18 points.

Automatic updating of the linespacing continues until you enter a “manual” line space value with LS.

If you give AUTOLEAD the optional FACTOR argument, AUTOLEAD calculates the line space as a factor of the numeric argument you gave AUTOLEAD. For example, if your point size is 12,
.AUTOLEAD 1.125 FACTOR sets the leading at 13.5 points. If you change the point size to 14, the leading automatically changes to 15.75 (14 x 1.125).

• Requires a unit of measure

LL (Line Length) takes one argument: the distance from the left margin of the page to the maximum allowable point on the right at which groff should place type. The line length, in other words, as the macro suggests.

LL requires a unit of measure. Therefore, to set the line length to 39 picas, you would enter
.LL 39P As with other macros that require a unit of measure, the argument to LL may be fractional. For example,
.LL 4.5i sets the line length to 4-1/2 inches.

Additionally, you may express a new line length relative to the current line length by prepending a plus or minus sign to the argument. Thus, if you wanted to increase the line length by 3 points, you could do
.LL +3p This is especially handy when you want to “hang” punctuation outside the right margin since you can pass groff’s \w escape as the argument to LL, like this:
.LL +\w'.'u The above example increases the current line length by the width of a period. Notice that you must append the unit of measure, u, to the escape since LL requires a unit of measure.

Justification and quadding/breaking and joining lines

The justification and quadding macros deal with how type aligns along the left and right margins. In a nutshell, type either aligns at the left margin, at the right margin, at both margins, or at neither margin (centred).

These macros also determine whether or not input lines are joined and filled during output.

Additionally, macros that deal with how to break output lines are covered in this section, as is the inline escape for joining input lines.

You may encounter some words here that are unfamiliar. Refer to Typesetting terms and Groff terms for an explanation.

(See fill mode for a definition of the difference between “fill” and “no-fill” modes.)

JUSTIFY doesn’t take an argument. Input lines after JUSTIFY are filled and justified upon output.

To break lines and prevent them from being filled and justified, use the BR macro.

Alias: FILL

(See fill mode for a definition of the difference between “fill” and “no-fill” modes.)

QUAD takes one argument: the direction in which lines should be quadded. Input lines after QUAD are filled upon output.

If L or LEFT, type is set flush along the left margin.

If R or RIGHT, type is set flush along the right margin.

If C or CENTER type is set centred on the current line length.

J and JUSTIFY justify text, and are included as a convenience only. Obviously, if text is justified, it isn’t quadded. .QUAD J and .QUAD JUSTIFY have exactly the same effect as JUSTIFY.

To break lines and prevent them from being filled, use the BR macro.

(See no-fill mode for a definition of the difference between “fill” and “no-fill” modes.)

LEFT, RIGHT, and CENTER let you enter text on a line for line basis without having to use the BR macro after each line. Consider the following:
.QUAD LEFT So runs my dream, but what am I? .BR An infant crying in the night .BR An infant crying for the light .BR And with no language but a cry. .BR Because text after .QUAD LEFT is filled, you have to use the BR macro to prevent the lines from running together. Not only is this annoying to type, it’s awkward to read in a text editor. Much better to do
.LEFT So runs my dream, but what am I? An infant crying in the night An infant crying for the light And with no language but a cry.

When using JUSTIFY or QUAD, BR tells mom about partial lines that you want broken (as opposed to filled). Any partial output line that immediately precedes BR will be quadded in the direction of the current quad, or set flush left if text is justified.

Most of the time, you won’t need the BR macro. In fill modes, mom tries to be sensible about where breaks are needed. If the nature of a macro is such that under most circumstances you’d expect a break, mom puts it in herself. Equally, in macros where a break isn’t normally desirable, no break occurs. This means text files don’t get cluttered with annoying BR’s.

In nofill modes (LEFT, RIGHT, CENTER) you must terminate the line input preceding EL with the \c inline escape.

Suggestion: If you find remembering whether to put in the \c bothersome, you may prefer to use the inline escape alternative to EL, \*[B], which works consistently regardless of the fill mode. EL does not work after the PAD macro. See .PAD NOBREAK for the way around this.

EL (“End Line”) is conceptually equivalent to the notion of a carriage return with no linefeed. Its function is simple: it breaks a line without advancing on the page. As an example of where you might use it, imagine that you’re working from marked-up copy. The markup indicates 24 points of space between two given lines, but the prevailing line spacing is 12.5 points. You may find it more convenient to break the first line with EL and instruct mom to advance 24 points to the next line instead of calculating the lead that needs to be added to 12.5 to get 24. To demonstrate:
.LEFT .LS 12.5 A line of text.\c .EL .ALD 24p The next line of text. may be more intuitive than
.LEFT .LS 12.5 A line of text. .ALD 11.5p The next line of text. The first example has the further advantage that should you wish to change the prevailing line space but keep the 24 points lead, you don’t have to recalculate the extra space.

ALD in the above examples stands for “Advance LeaD”, which is covered in the section Vertical movements.

Alias: SP

SPACE breaks a line, just like BR, then adds space after the line. With no argument, it adds an extra line space. If you pass it a numeric argument without supplying a unit of measure, it advances that number of extra line spaces. For example:
.SPACE breaks the line then adds an extra linespace, whereas
.SPACE 2 breaks the line and adds two extra linespaces.

If you supply a unit of measure, SPACE breaks the line and advances the specified vertical distance, as in
.SPACE 6p which breaks the line and advances six points further.

Sometimes, you need to break a line of justified text and have it come out fully justified, not quadded left the way it would be with the BR macro. An example of where you’d do this would be when you want to prevent a word at the end of a line from being hyphenated (say, a proper name). SPREAD is the macro that lets you break the line and have it came out fully justified.

Sometimes, especially when in one of the nofill modes, a macro will cause a break where you don’t want one. In order to prevent this from happening (in other words, to join input lines together, forming one output line), use the groff inline escape \c at the end of each input line to be joined to another, like this:
.LEFT .FAMILY T .FT R Some lines of text to be \c .FAMILY H .FT B joined \c .FAMILY T .FT R together. Upon output, the lines will be joined together to read
Some lines of text to be joined together. with the word “joined” in Helvetica bold. Note the spaces before \c. Without them, the last three words of the output line would read
bejoinedtogether Please also note that had the example been in one of the fill modes, there’d have been no need for the \c.

Typographic refinements

The macros in this section help you tweak groff’s behaviour, ensuring that your documents look typographically professional.

WS (Word Space) increases or decreases the amount of space between words. In nofill modes, or if QUAD is in effect, the space between words is fixed. Therefore, if you change the word spacing with WS, the change applies uniformly to the space between every word on every line. However, when text is justified, the space between words varies from line to line (in order to justify the text). Consequently, the change you make with WS represents the minimum (and ideal) space groff will try to put between words before deciding whether to hyphenate a final word or to stretch the word spacing.

Word space is relative to point size. Generally, in/decreasing the word space by a value of 1 or 2 produces a difference that in many cases is scarcely visible. In/decreasing by a value between 3 and 5 produces a subtle but noticeable difference. In/decreasing by a value greater than 6 is almost always apparent. You should preview your work to assess the effect of WS.

WS takes as its argument a whole number preceded by a plus or minus sign. Therefore, to decrease the word space slightly, you might enter
.WS -2 To increase it by a noticeable amount, you might enter
.WS +6 You can reset the word spacing to its previous value by switching the plus or minus sign, like this:
.WS +2 A line of text .WS -2 The .WS -2 undoes the effect of .WS +2. You can also reset WS to its groff default by entering
.WS DEFAULT This can be particularly useful if you’ve been playing around with plus and minus values, and can’t remember by how much to in/decrease the word space to get it back to normal.

SS (Sentence Space) tells groff how to treat double spaces it encounters between sentences in input lines. If you use SS, input sentences with two spaces after them and input sentences that fall at the end of input lines all receive a normal word space plus an additional amount of space whose size is determined by the + value passed as an argument to SS. Thus,
.SS +2 means that input sentences with two spaces after them receive a normal word space PLUS the +2 value passed to SS.

Like WS, increasing the sentence space by a value of 1 or 2 produces a difference that in many cases is scarcely visible. Increasing by a value of 5 or so produces a subtle but noticeable difference (i.e., the space between double-spaced input sentences will be slightly but visibly greater than the space between words). Increasing by a value greater than 10 is always apparent. You should preview your work to assess the effect of SS.

There’s an additional argument you can pass SS: the number zero (without the plus sign). It’s the argument you’ll use most often. Typeset copy should never have two spaces between sentences, and the "zero" argument tells groff to give the extra spaces no space at all (effectively removing them). Therefore, if you double-space your sentences (as you should when writing in a text editor), get in the habit of putting
.SS 0 at the top of your files.

If you do use SS for something other than ensuring that you don’t get unwanted sentence spaces in output copy, you can set or reset the sentence space to the groff default (the same width as a word space, i.e., double-spaced input sentences will appear double-spaced on output as well) with
.SS DEFAULT If you’re using the document processing macros and your PRINTSTYLE is TYPEWRITE, .SS DEFAULT is the default, because you do want double spaces between sentences in copy that imitates the look of a typewritten document.

Aliases: HYPHENATE, HYPHENATION

HY, as you can see, can be invoked with a number of arguments. In all cases, the aliases HYPHENATE or HYPHENATION can be used in place of HY. To aid in understanding the various arguments you can pass to HY, I’ve broken them down into separate sections.

1.  HY

HY by itself (i.e. with no argument) simply turns automatic hyphenation on. Any argument other than LINES, MARGIN, SPACE, or DEFAULT, turns automatic hyphenation off. For example, as explained in How to read macro arguments, you could turn HY off by entering
.HY OFF or .HY X or .HY END A subsequent call to HY restores hyphenation with the parameters for LINES, MARGIN, or SPACE that were formerly in effect (see below).

HY observes the following default hyphenation rules:

• Last lines (i.e. ones that will spring a trap—typically the last line on a page) will not be hyphenated.
• The first and last two characters of a word are never split off.

2.  HY LINES

HY LINES sets the maximum number of consecutive hyphenated lines that will appear in output copy. 2 is a very good choice, and you’d set it with
.HY LINES 2 By default, when you turn automatic hyphenation on, there is no limit to the number of consecutive hyphenated lines.

3.  HY MARGIN

HY MARGIN sets the amount of room allowed at the end of a line before hyphenation is tripped (e.g., if there’s only 6 points left at the end of a line, groff won’t try to hyphenate the next word). HY MARGIN only applies if you’re using QUAD, and is really only useful if you’re using QUAD LEFT.

As an example, if you don’t want groff to hyphenate words when there’s only 18 points of space left at the end of a left-quadded line, you’d enter
.HY MARGIN 18p

4.  HY SPACE

HY SPACE sets an amount of extra interword space that groff will try to put between words on a line in order to prevent hyphenation. HY SPACE applies only to justified lines. Generally speaking, you’ll want this value to be quite small, since too big a value will result in lines with gaping holes between the words. A reasonable value might be half a point, or one point, which you’d set with
.HY SPACE .5p or .HY SPACE 1p

5.  HY DEFAULT

HY DEFAULT resets automatic hyphenation to its default behaviour, cancelling any changes made with HY LINES, HY MARGIN, and/or HY SPACE.

Alias: HYSET

HY_SET lets you set the parameters for hyphenation with a single macro. <lines>, <margin>, and <space> correspond to the numeric values required by LINES, MARGIN, and SPACE as described above.

To set just the maximum number of consecutive hyphenated lines, you’d enter
.HY_SET 2 If you wanted the same number of maximum consecutive hyphenated lines and a hyphenation margin for use with rag copy,
.HY_SET 2 36p would set the hyphenation margin to 36 points.

If you wanted the same number of maximum consecutive hyphenated lines and a hyphenation space of 2 points for use with justified copy,
.HYSET 2 0 2p is how you’d do it.

RW (Reduce Whitespace) and its corresponding macro EW (Expand Whitespace), allow you to tighten (or loosen) output lines by uniformly reducing or expanding the space between characters. This is particularly useful when you want to squeeze or stretch lines on a narrow measure.

The value passed to RW may be a whole number or a decimal fraction. Since a value of 1 produces a noticeable reduction in the space between letters at text sizes, you’ll most likely use small decimal values when tightening lines. For example,
.RW .1 or .RW .2 may be just enough to squeeze an extra character or two on a line without the change in letter spacing being obvious. I highly recommend previewing your work to assess the effect of RW.

EW (Expand Whitespace) expands the amount of whitespace between letters, effectively “loosening” lines of type.

The value passed to EW may be a whole number or a decimal fraction. Since a value of 1 produces a noticeable expansion in the space between letters at text sizes, you’ll most likely use small decimal values when loosening lines. For example,
.EW .1 or .EW .2 may be just enough to open up a line without the change in letter spacing being obvious. I highly recommend previewing your work to assess the effect of EW.

By default, in fill modes (i.e. QUAD L, R, C, J, or JUSTIFY) mom does not break input lines when you invoke RW or EW. If you’d like her to break input lines prior to RW or EW, invoke .BR_AT_INPUT_LINE without any argument. To disable the breaks, invoke .BR_AT_INPUT_LINE with any argument (OFF, QUIT, END, X...), like this
.BR_AT_LINE_KERN OFF or .BR_AT_LINE_KERN X With QUAD L, R, or C, mom simply breaks the line. With QUAD J (or just JUSTIFY, which is the same thing), she breaks and force justifies the line prior to .EW or .RW.

By itself (i.e. with no argument), KERN turns automatic pairwise kerning on. With any argument (e.g. OFF, Q, X), pairwise kerning is turned off.

Kerning of individual character pairs can be controlled with the two inline escapes
\*[BU <n>] and \*[FU <n>]. See Inline Escapes, kerning.

Alias: LIG

Provided your current font has ligatures, LIGATURES, by itself, turns on automatic generation of ligatures. When automatic ligature generation is on, simply typing the letters of a ligature combination will produce the correct ligature upon output. For example, if you type the word “finally”, the fi combination will be output as an fi ligature. Generally speaking, ligatures are A Good Thing, hence mom has them on by default.

LIGATURES with any argument turns automatic ligature generation off.

Type modifications (pseudo font styles)

It sometimes happens that a family doesn’t contain all the fonts you need. You might, for example, be missing an italic font, or a bold font. Or you might not be able to get your hands on the condensed version. That’s where these macros and inline escapes come in. With them, you can fake the fonts you’re missing. A word of caution, though: “faked” fonts are just that—faked. You should only use them as a last resort, and then only sparingly. A word or two or a line or two in a faked font will pass unnoticed; large patches of type in a faked font look typographically cheap.

Pseudo-italicizing of type is accomplished by slanting a roman font a certain number of degrees to the right. SETSLANT lets you fix the number of degrees. Mom’s default is 15, which produces an acceptable approximation of an italic font. If you want another value—say, 13 degrees—you’d set it by entering
.SETSLANT 13 If you change the degree of slant and later want to set it back to the mom default, do
.SETSLANT RESET

\*[SLANT] begins pseudo-italicizing. \*[SLANTX] turns the feature off. Both are inline escapes, therefore they should not appear as separate lines, but rather be embedded in text lines, like this:
Not \*[SLANT]everything\*[SLANTX] is as it seems. Alternatively, if you wanted the whole line pseudo-italicized, you’d do
\*[SLANT]Not everything is as it seems.\*[SLANTX] Once \*[SLANT] is invoked, it remains in effect until turned off.

Emboldening of type is accomplished by printing characters twice; the second printing is slightly offset from the first, effectively “thickening” the character. SETBOLDER lets you set the number of machine units for the offset. Mom’s default is 700 units, which produces an acceptable approximation of a bold font. If you want another value—say, 500 units—you’d set it by entering
.SETBOLDER 500 If you change the emboldening offset and later want to set it back to the mom default, do
.SETBOLDER RESET

\*[BOLDER] begins emboldening type. \*[BOLDERX] turns the feature off. Both are inline escapes, therefore they should not appear as separate lines, but rather be embedded in text lines, like this:
Not \*[BOLDER]everything\*[BOLDERX] is as it seems. Alternatively, if you wanted the whole line emboldened, you’d do
\*[BOLDER]Not everything is as it seems.\*[BOLDERX] Once \*[BOLDER] is invoked, it remains in effect until turned off.

Pseudo-condensing of type is accomplished by reducing the width of characters at a given point size without reducing their height, effectively narrowing them so they look like condensed type. CONDENSE tells mom what percentage of the normal character width you want the characters to be condensed.

Mom has no default value for CONDENSE, therefore you must set it before using the inline escape \*[COND]. 80 percent of the normal character width is a good value, and you’d set it like this:
.CONDENSE 80

\*[COND] begins pseudo-condensing type. \*[CONDX] turns the feature off. Both are inline escapes, therefore they should not appear as separate lines, but rather be embedded in text lines, like this:
\*[COND]Not everything is as it seems.\*[CONDX] \*[COND] remains in effect until you turn it off with \*[CONDX].

Pseudo-extending of type is accomplished by increasing the width of characters at a given point size without increasing their height, effectively widening them so they look like extended type. EXTEND tells mom what percentage of the normal character width you want the characters to be extended.

Mom has no default value for EXTEND, therefore you must set it before using the inline escape \*[EXT]. 120% of the normal character width is a good value, and you’d set it like this:
.EXTEND 120

\*[EXT] begins pseudo-extending type. \*[EXTX] turns the feature off. Both are inline escapes, therefore they should not appear as separate lines, but rather be embedded in text lines, like this:
\*[EXT]Not everything is as it seems.\*[EXTX] \*[EXT] remains in effect until you turn it off with \*[EXTX].

To begin setting type in pseudo-smallcaps, simply invoke .SMALLCAPS. When you no longer want them, invoke SMALLCAPS OFF (or END, STOP, DONE, etc). If you are currently in a no-fill mode, (i.e. LEFT, CENTER, or RIGHT) and you want the smallcaps to continue on the same line, append a \c to the line, like this
A line of type\c .SMALLCAPS with a few words in smallcaps. .SMALLCAPS OFF The line preceding .SMALLCAPS OFF should also have a \c appended to it if you wish it to continue unbroken.

True smallcaps are not a font effect, but, like designer cuts of bold, condensed, and extended, actual fonts provided with some families. It is highly recommended that you acquire real smallcaps fonts rather than relying on mom’s pseudo version.

To achieve a reasonable facsimile of designer-cut smallcaps fonts, mom needs to know the percentage of regular caps at a given point size by which to reduce the small caps. To make adjustments for the difference in weight and width of the smaller caps, she also needs to know by how much to embolden (“fatten”) the smallcaps, and by how much to increase their width.

All three arguments to SMALLCAPS_STYLE reflect a percentage of the point size in effect when SMALLCAPS is invoked. Mom’s defaults for pseudo-smallcaps are:
SIZE = 74% WEIGHT_ADJ = .3% EXTEND = 5% To change any or all of the defaults, you might enter
.SMALLCAPS_STYLE SIZE 80 WEIGHT_ADJ .25 EXTEND 3 or, more readably,
.SMALLCAPS_STYLE \ SIZE 80 \ WEIGHT_ADJ .25 \ EXTEND 3 Note that you do not have to give SMALLCAPS_STYLE all three arguments, and that the arguments may be entered in any order. Any arguments you omit will remain at their former value.

Vertical movements

The two macros in this section allow you to move down or up on the page relative to the current baseline.

• Requires a unit of measure

ALD takes one argument: the distance to move downward on the page relative to the current vertical position.

ALD causes a line break, which means the argument is added to the current leading. For example, if your current leading is 12 points, a line of type after .ALD 6p will be 18 points distant from the previous line.

If you wish to advance the argument's distance from the current baseline, it should be preceded by EL. For example,
.LEFT .LS 12 First line. Second line.\c .EL .ALD 15p Third line. would place the third line exactly 15 points beneath the second.

ALD requires a unit of measure. Decimal fractions are allowed, and values may be combined. Therefore, to move down on the page by 1/4 of an inch, you could enter either
.ALD .25i or
.ALD 1P+6p As the mnemonic (Advance LeaD) suggests, you’ll most often use ALD with points of lead.

• Requires a unit of measure

RLD takes one argument: the distance to move upward on the page relative to the current vertical position.

RLD causes a line break, which means the argument is subtracted from the current leading. For example, if your current leading is 12 points, a line of type after .RLD 6p will be 6 points distant from the previous line.

If you wish to move upward from the current baseline by the argument's distance, RLD should be preceded by EL. For example,
.LEFT .LS 18 First line. Second line.\c .EL .RLD 3p Third line. would raise the third line by 3 points relative to the baseline of the second line. Put another way, if the .RLD in the example were 18p, the third line would fall on the same baseline as the second.

RLD requires a unit of measure. Decimal fractions are allowed, and values may be combined. Therefore, to move up on the page by 1/4 of an inch, you could enter either
.RLD .25i or .RLD 1P+6p As the mnemonic (Reverse LeaD) suggests, you’ll most often use RLD with points of lead.

Tabs

Mom provides two different kinds of tab setup: typesetting tabs and string tabs. Neither one has anything to do with the tab key on your keyboard, and both are utterly divorced from groff’s notion of tabs. I recommend reading this section carefully in order to understand how mom handles tabs.

Typesetting tabs

Typesetting tabs are defined by both an indent from the left margin and a line length. This is quite different from typewriter-style tab stops (the groff norm) that only define the left indent. In conjunction with the multi-column macros, typesetting tabs significantly facilitate tabular and columnar work.

Typesetting tabs are created with the TAB_SET macro. TAB_SET identifies the tab (by number), establishes its left indent and line length, and optionally sets a quad direction and fill mode. After tabs have been created with TAB_SET, they can be called at any time with the TAB macro.

String tabs (autotabs)

String tabs let you mark off tab positions with inline escapes embedded in input lines. Left indents and line lengths are calculated from the beginning and end positions of the marks. This is especially useful when tab indents and lengths need to be determined from the text that goes in each tab.

Setting up string tabs is a two-step procedure. First, you enter an input line in which you mark off where you want tabs to begin and end. (This is often best done in conjunction with the SILENT macro.)

Next, you invoke the ST macro for every string tab you defined, and optionally pass quad and fill information to it. That done, string tabs are called with the TAB macro, just like typesetting tabs.

In combination with the PAD macro and the groff inline escape \h (move horizontally across the page) or mom’s \*[FWD <distance>] (move forward) inline, string tabs provide tremendous flexibility in setting up complex tab structures.

• <indent> and <length> require a unit of measure

TAB_SET creates typesetting tabs that later can be called with .TAB. Typesetting tabs are numbered, and defined by an indent, a length, and a quad direction, hence TAB_SET has four required arguments:

• a tab number
• an indent (measured from the left margin of the page, or, if you’re already in a tab, from the left margin of the tab)
• a length
• a direction

To set up a centred tab 6 picas long and 9 points from the left margin, you’d enter
.TAB_SET 1 9p 6P C The tab number in the above (”1”) is simply an identifier. It could have been 4, or 17, or 296. There’s no need to set up tabs in numerical sequence.

By default, tabs are in nofill mode, meaning you can enter text in tabs on a line-for-line basis without having to use the BR macro. If you want a tab to be filled, pass the optional argument QUAD, which will make the tab behave as if you’d entered .QUAD L | R | C.

For justified tabs, simply pass the argument J (without the QUAD argument), like this:
.TAB 1 9p 6P J Once tabs are set, they can be called at any time with the TAB <n> macro, where <n> is the number of the desired tab.

You can set up any number of typesetting tabs. However, be aware that string tabs are also called with TAB <n>, so be careful that you don’t set up a typesetting tab numbered, say, 4, when you already have a string tab numbered 4. Every tab, typesetting or string, must have a unique numeric identifier.

The quad direction must be LEFT or JUSTIFY (see QUAD and JUSTIFY) or the no-fill mode set to LEFT in order for these inlines to function properly. Please see IMPORTANT, below.

String tabs need to be marked off with inline escapes before being set up with the ST macro. Any input line may contain string tab markers. <number>, above, means the numeric identifier of the tab. The following shows a sample input line with string tab markers.
\*[ST1]Now is the time\*[ST1X] for all \*[ST2]good men\*ST2X] to come to the aid of the party. String tab 1 begins at the start of the line and ends after the word “time”. String tab 2 starts at “good” and ends after “men”. Inline escapes (e.g. font or point size changes, or horizontal movements, including padding) are taken into account when mom determines the position and length of string tabs.

Up to nineteen string tabs may be marked (not necessarily all on the same line, of course), and they must be numbered between 1 and 19.

Once string tabs have been marked in input lines, they have to be “set” with .ST, after which they may be called, by number, with .TAB.

After string tabs have been marked off on an input line (see \*[ST]...\*[STX]), you need to “set” them by giving them a direction and, optionally, the QUAD argument. In this respect, ST is like TAB_SET except that you don’t have to give ST an indent or a line length (that’s already taken care of, inline, by \*[ST]...\*[STX]). If you want string tab 1 to be left, enter
.ST 1 L If you want it to be left and filled, enter
.ST 1 L QUAD If you want it to be justified, enter
.ST 1 J See the Quickie tutorial on string tabs for a full explanation of setting up string tabs.

Alias: TB

After tabs have been defined (either with TAB_SET or ST), TAB moves to whatever tab number you pass it as an argument. For example,
.TAB 3 moves you to tab 3.

TN moves over to the next tab in numeric sequence (tab n+1) without advancing on the page. See the NOTE in the description of the TAB macro for an example of how TN works.

In tabs that aren’t given the QUAD argument when they’re set up with TAB SET or ST, you must terminate the line preceding .TN with the \c inline escape. Conversely, if you did give a QUAD argument to TAB_SET or ST, the \c must not be used.

If you find remembering whether to put in the \c bothersome, you may prefer to use the inline escape alternative to .TN, \*[TB+], which works consistently regardless of the fill mode.

TQ takes you out of whatever tab you were in, advances 1 linespace, and restores the left margin, line length, quad direction and fill mode that were in effect prior to invoking any tabs.

Multiple columns

Tabs are not by nature columnar, which is to say that if the text inside a tab runs to several lines, calling another tab does not automatically move to the baseline of the first line in the previous tab. To demonstrate:
.TAB 1 Carrots Potatoes Broccoli .TAB 2 $1.99/5 lbs $0.25/lb $0.99/bunch produces, on output
Carrots Potatoes Broccoli $1.99/5 lbs $0.25/lb $0.99/bunch The multi-column macros allow you to set tabs in columnar fashion, rather than line by line. When you invoke multi-column mode (with .MCO – Multi-Column On), mom saves the position of the current baseline. .MCR (Multi-Column Return) at any point while multi-columns are on returns you to the saved position. Exiting multi-columns (.MCX – Multi-Column eXit) quits the current tab (if you’re in one) and moves you to the bottom of the longest column. (Note that you do not have to use multi-columns in conjunction with tabs.)

Using our example above, but setting it in multi-column mode,
.MCO .TAB 1 Carrots Potatoes Broccoli .MCR .TAB 2 $1.99/5 lbs $0.25/lb $0.99/bunch .MCX produces
Carrots $1.99/5 lbs Potatoes $0.25/lb Broccoli $0.99/bunch

MCO (Multi-Column On) is the macro you use to begin multi-column setting. It marks the current baseline as the top of your columns, for use later with MCR. See the introduction to columns for an explanation of multi-columns and some sample input.

Once you’ve turned multi-columns on (with .MCO), .MCR, at any time, returns you to the top of your columns.

• Optional argument requires a unit of measure

MCX takes you out of any tab you were in (by silently invoking .TQ) and advances to the bottom of the longest column.

Without an argument, MCX advances 1 linespace below the longest column. Linespace, in this instance, is the leading in effect at the moment MCX is invoked.

If you pass the <distance> argument to MCX, it advances 1 linespace below the longest column (see above) PLUS the distance specified by the argument. The argument requires a unit of measure; therefore, to advance an extra 6 points below where MCX would normally place you, you’d enter
.MCX 6p

The above advances to precisely 24 points below the baseline of the longest column.

Indents

With mom’s indents, you can indent from the left, the right, or both margins. In addition, mom provides temporary left indents (i.e., only one line is indented, as at the start of a paragraph) and “hanging” left indents (the reverse of a temporary indent; the first line isn’t indented, subsequent lines are).

How mom handles indents

Mom provides five kinds of indents: left, right, both, temporary, and hanging. Each is invoked by its own name:

• IL – Indent Left
• IR – Indent Right
• IB – Indent Both
• HI – Hanging Indent
• TI – Temporary Indent

In addition, there are four macros to control exiting from indents:

• IQ – quit all active indents
• ILX – exit indent style left
• IRX – exit indent style right
• IBX – exit indent style both

This section deals exclusively with IL, IR, and IB. For an explanation of hanging and temporary indents—how they work and how to use them—see Hanging indents and Temporary indents.

The first time you invoke any of mom’s indents, you must supply a measure. For example,
.IL 2P indents text 2 picas from the left margin (or current tab indent).

When you want to exit the above indent, use either
.IQ or .ILX The next time you want the same indent, invoke it without the argument, like this:
.IL As you can see, once you’ve supplied a measure to an indent macro, mom stores the value, obviating the need to repeat it on subsequent invocations. And mom doesn’t just store the measure—she hangs on to it tenaciously. Arguments passed to IL, IR, and IB are additive. Consider the following:
.LL 20P .IR 2P \"Indent right by 2 picas A first block of text... ... ... .IQ \"Turn indent off A second block of text... ... ... .IR 2P \"Indent right by an additional 2 picas (i.e. 4 picas) A third block of text... ... ... The first block of text is right indented by 2 picas (i.e. the line length is shortened by 2 picas to 18 picas). The second block of text, after IQ, is, as you’d expect, set to the full measure. The third block of text—the one to pay attention to—is not right indented by 2 picas, but rather by 4 picas. Mom adds the value of arguments to IL, IR, and IB to whatever value is already in effect.

If you wanted the third block of text in the example above to be right indented by just 2 picas (the original measure given to IR), you would enter .IR without an argument.

Because indent arguments are additive, putting a minus sign in front of the argument can be used to subtract from the current value. In the following example, the first line is indented 18 points, the second is indented 36 points (18 + 18), and the third is again indented 18 points (36 - 18).
.IL 18p \"Indent left by 18 points = 18 points Now is the time .IL 18p \"Indent left by 18 points more = 36 points for all good men to come .IL -18p \"Indent left by 18 points less = 18 points to the aid of the party. Sometimes, you may want to clear out the stored indent values—let mom start indenting with a clean slate, as it were. Giving the optional argument CLEAR to any of the “indent quit” macros resets them to zero.

• IQ CLEAR – quit and clear all indents
• ILX CLEAR – quit and clear indent style left
• IRX CLEAR – quit and clear indent style right
• IBX CLEAR – quit and clear indent style both

Indent styles may be combined and manipulated separately. You could, for example, have a left indent of 4 picas and a right indent of 6 picas and control each separately, as in the following example.
.IL 4P \"Indent left 4 picas .IR 6P \"Indent right 6 picas Some text .IRX \"Turn off the right indent only More text \"Text is still indented 4 picas left If, at .IRX, you wanted the text afterwards to have no indents (either left or right), you would enter .IQ, which exits all indent styles at once.

A word of advice: Indents are best used only when you have a compelling reason not to change the current left margin or line length. In many instances where indents might seem expedient, it’s better to use tabs, or actually change the left margin or the line length. Mom’s indenting macros are flexible and powerful, but easy to get tangled up in.

• The optional argument requires a unit of measure

IL indents text from the left margin of the page, or if you’re in a tab, from the left edge of the tab. Once IL is on, the left indent is applied uniformly to every subsequent line of text, even if you change the line length.

The first time you invoke .IL, you must give it a measure. Subsequent invocations with a measure add to the previous measure. A minus sign may be prepended to the argument to subtract from the current measure. The \w inline escape may be used to specify a text-dependent measure, in which case no unit of measure is required. For example,
.IL \w'margarine' indents text by the width of the word “margarine”.

With no argument, IL after an ILX indents by its last active value. See the explanation of how mom handles indents for more details.

• The optional argument requires a unit of measure

IR indents text from the right margin of the page, or if you’re in a tab, from the end of the tab.

The first time you invoke .IR, you must give it a measure. Subsequent invocations with a measure add to the previous indent measure. A minus sign may be prepended to the argument to subtract from the current indent measure. The \w inline escape may be used to specify a text-dependent measure, in which case no unit of measure is required. For example,
.IR \w'jello' indents text by the width of the word “jello”.

With no argument, IR after an IRX indents by its last active value. See the explanation of how mom handles indents for more details.

• The optional arguments require a unit of measure

IB allows you to set or invoke a left and a right indent at the same time.

If you supply only an indent-1 argument, the argument is the amount to indent from both the left and right margins. If you give both indent-1 and indent-2, the first is the indent from the left margin and the second is the indent from the right margin.

As with IL and IR, the measures are added to the values previously passed to the macro. Hence, if you wish to change just one of the values, you must give an argument of zero to the other. (A word of advice: If you need to manipulate left and right indents separately, use a combination of IL and IR instead of IB. You’ll save yourself a lot of grief.)

A minus sign may be prepended to the arguments to subtract from their current values. The \w inline escape may be used to specify text-dependent measures, in which case no unit of measure is required. For example,
.IB \w’margarine’ \w'jello' left indents text by the width of the word “margarine” and right indents by the width of “jello”.

Like IL and IR, IB with no argument after an IBX indents by its last active values. See the explanation of how mom handles indents for more details.

• The optional argument requires a unit of measure

A temporary indent is one that applies only to the first line of text that comes after it. Its chief use is indenting the first line of paragraphs. (Mom’s PP macro, for example, uses a temporary indent.)

The first time you invoke .TI, you must give it a measure. If you want to indent the first line of a paragraph by, say, 2 ems, do
.TI 2m Subsequent invocations of TI do not require you to supply a measure; mom keeps track of the last measure you gave it.

Because temporary indents are temporary, there’s no need to turn them off.

• The optional argument requires a unit of measure

A hanging indent looks like this:
The thousand injuries of Fortunato I had borne as best I could, but when he ventured upon insult, I vowed revenge. You who so well know the nature of my soul will not suppose, however, that I gave utterance to a threat, at length I would be avenged... The first line of text “hangs” outside the left margin.

In order to use hanging indents, you must first have a left indent active (set with either .IL or .IB). Mom will not hang text outside the left margin set with .L_MARGIN or outside the left margin of a tab.

The first time you invoke .HI, you must give it a measure. If you want the first line of a paragraph to hang by, say, 1 pica, do
.IL 1P .HI 1P Subsequent invocations of HI do not require you to supply a measure; mom keeps track of the last measure you gave it.

Generally speaking, you should invoke HI immediately prior to the line you want hung (i.e. without any intervening control lines). And because hanging indents affect only one line, there’s no need to turn them off.

Recipe: A numbered list using hanging indents

.PAGE 8.5i 11i 1i 1i 1i 1i .FAMILY T .FT R .PT_SIZE 12 .LS 14 .JUSTIFY .KERN .SS 0 .IL \w'\0\0.' .HI \w'\0\0.' 1.\0The most important point to be considered is whether the answer to the meaning of Life, the Universe, and Everything really is 42. We have no-one’s word on the subject except Mr. Adams’. .HI 2.\0If the answer to the meaning of Life, the Universe, and Everything is indeed 42, what impact does this have on the politics of representation? 42 is, after all not a prime number. Are we to infer that prime numbers don’t deserve equal rights and equal access in the universe? .HI 3.\0If 42 is deemed non-exclusionary, how do we present it as the answer and, at the same time, forestall debate on its exclusionary implications? First, we invoke a left indent with a measure equal to the width of 2 figures spaces plus a period (using the \w inline escape). At this point, the left indent is active; text afterwards would normally be indented. However, we invoke a hanging indent of exactly the same width, which hangs the first line (and first line only!) to the left of the indent by the same distance (in this case, that means “out to the left margin”). Because we begin the first line with a number, a period, and a figure space, the actual text (“The most important point...”) starts at exactly the same spot as the indented lines that follow.

Notice that subsequent invocations of .HI don’t require a measure to be given.

Paste the example above into a file and preview it with
pdfmom filename.mom > filename.pdf to see hanging indents in action.

Macro: ILX [ CLEAR ] (exit Indent Left)
Macro: IRX [ CLEAR ] (exit Indent Right)
Macro: IBX [ CLEAR ] (exit Indent Both)

Without an argument, the macros to quit indents merely restore your original margins and line length. The measures stored in the indent macros themselves are saved so you can call them again without having to supply a measure.

If you pass these macros the optional argument CLEAR, they not only restore your original left margin and line length, but also clear any values associated with a particular indent style. The next time you need an indent of the same style, you have to supply a measure again.

.IQ CLEAR, as you’d suspect, quits and clears the values for all indent styles at once.

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