Sunday, April 03, 2016

National Poetry Month 2016: George Elliott Clarke,



Thomas Chandler Haliburton Regards Liverpool, 1855


Mr. John William Graham—
manager of Tate & Lyle Sugar Company—
Oxford-schooled, a classicist,

thrills to see the humongous ships,
brimming with snowy sweetness,
steam to refining, distilling,

while black soot clogs nostrils,
tangles into hair,
causes lungs to belch black phlegm….

Such is the toil of Pleasure,
to ratchet up profits
as implacable as the Crucifixion:

The steamer exhaust hurts lungs,
blackens clothes, faces,
so pallid children look suddenly,

“wonderfully” (they imagine) vile
and dirty, like heroic waifs,
or cantankerously ugly

as printers’ devils,
their fingerprints bluntly black
(no ornaments of other tints),

and whose violently scrawny frames
will likely crumble under bobby batons
in just a decade

or half decade—
in this brickyard dump of Empire.
Anyway, unfortunately too,

the sugar mill specializes
in multiplication of ogres—
spectacular amputees—

stumping for coins before churches,
weeping baroquely,
but only themselves to blame,

for such bumbled job performance
as to mishandle or tumble
into fine-tooled, well-oiled machinery,

and become fodder for the pen
of Mr. Dickens, who takes blood for ink,
so as to soil Capital reputations….

But Mr. Graham wishes to be Sir Graham,
if he achieves greater heights
of sugar manufacture,

pouring mountains into ships’ bellies,
thus bloating the ledgers’ pounds,
even as he distracts himself

from the cries of self-mangled minions
via pursuing fanatically skeletal,
sugar-pale tarts,

so gleefully anemic—
subsisting on whores’ wages
(absinthe equals drink and opium meat).

However, outlawing Negro Slavery
mandates using nurseries,
Kindergartens, as labour

fulfilment centres,
to top quotas required
at mills, factories, brothels,

disgusting, but enriching;
thus, the innocent dormitory
now upstages stink,

and model Youth
pale Adonis, fair Venus—
ebb to melancholic, graceless Ruin.

These beings mature, cancer-rife,
or fall prey to geniuses of Vice
passionate as leeches—

who love nothing less
than to eviscerate every anus
with a syphilitic organ.

Mr. Graham thinks himself no bad boss,
to excuse workers’ sickliness as “noble,”
or to see juveniles broken

down to oozing bones,
suing Salvation in alcohol
or starry-eyed Astrology,

their inebriated jaws drooling on bottles,
or urine-tasty male organs,
obstinately pale,

like sugar at sight, but sour in scent;
or the kids get sold—
a seven-year-old

to a seventy-year-old,
whose joy is to finger a virginity
until she screeches, bleeding.

Such is the sovereign Tyranny
of factorists like Mr. Graham,
that Vice is enabled

to enact intolerable freaks
upon urchins,
to so injure “white niggers,”

their young brains and fledgling genitals
turn diseased and degenerate.
The replacement of black slaves

by white girls and boys
means capitalists gorge now
on unskilled muscle,

on illiterate cradles,
and once they’ve exacted all Wealth
and Productivity,

discard these de facto Morlocks—
to starve or steal,
be harlots

or hang by hangmen.
Thus, Englishry turn Negrory,
insensate souls,

no better than rats,
who must nurse on liquor
and fatten on sugar.

This antisocialism attitude
explains Mr. Graham’s mimicry
of swine—

his round-gut, piggish aspect,
puffing Greek and grunting Latin,
as he manhandles a wench,

fucking dirtily a thinness
fed by clouds.
He decants fishy smells,

executes a fever of movement
in a pretty rut,
soon flooded with a sugary meringue.


[Liverpool (England) 12 octobre mmxiv]



A revered poet, George Elliott Clarke hails from Africadia, and has issued 14 verse-works (collections and narratives), 4 verse-plays, 3 opera libretti, 2 novels, and 2 essay collections. His newest book is Extra Illicit Sonnets, featuring amatory and erotic poetry. Forthcoming is Canticles (I), the first part of an epic poem, due out in Fall 2016. The projected trilogy will be completed in 2021.

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